{"title":"Design","description":"","products":[{"product_id":"dictionary-of-color-combinations-volume-2","title":"Dictionary of color combinations, Volume 2","description":"\u003cp\u003e\u003cspan\u003eFrom 1933 to 1934 Sanzo Wada published a collection of colour combinations that was the first of its kind in Japan. Following on that enduring bestseller, 'A Dictionary of Color Combinations' Vol. 2 brings back two more works by Wada published in 1935–1936 and 1938, respectively. The book presents 72 colour patterns themed on the Japanese seasons and another 165 drawn from early to mid-twentieth-century fashion, interior, and graphic design, making it an indispensable reference for designers, fashion and interior specialists, illustrators, photographers, writers, and indeed anyone engaged in creative work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSanzo Wada\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSeigensha, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e15 X 10.5cm, 354 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Paperback - Japanese","offer_id":39260797960273,"sku":"","price":35.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/lv29685_dictionary_of_colour_2.jpg?v=1614809863"},{"product_id":"piero-portaluppi","title":"Piero Portaluppi: Between tradition and the avant-garde","description":"\u003cp\u003eThis volume is dedicated to Piero Portaluppi (1888-1967), a significant and recently rediscovered figure of Italian twentieth-century architecture. Long neglected by critics, his work has been revisited and rightly reappraised thanks to the opening of Villa Necchi in Milan to the public.\u003cbr data-mce-fragment=\"1\"\u003e The book traces Portaluppi’s work through three design typologies: living spaces, the aesthetics of industrial structures and public places. Notable examples of the industrial spaces include the power plants that Portalupi lovingly constructed from 1910 to 1930, real architectural gems with an eclectic taste.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLorenzo Pennati, Patrizia Piccinini\u003c\/p\u003e\n\u003cp\u003eRizzoli, 2022\u003c\/p\u003e\n\u003cp\u003e28.7 X 23.6 cm, 224 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Hardcover","offer_id":39865934053457,"sku":"","price":90.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/portaluppi.jpg?v=1649958364"},{"product_id":"graphic-design-is-not-innocent","title":"Graphic design is (…) not innocent","description":"\u003cp\u003eThis volume questions ingrained approaches, values and assumptions of graphic design in globalized societies. It aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in\/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe publication combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIngo Offermans\u003c\/p\u003e\n\u003cp\u003eValiz, 2022\u003c\/p\u003e\n\u003cp\u003e23.5 X 14.6 cm, 288 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":43884931776810,"sku":"","price":39.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/graphic-design-is.jpg?v=1670598261"},{"product_id":"faire-regarder-le-graphisme-volume-12-n-42-43-44-45","title":"Faire : Regarder le graphisme, volume 12 (n° 42-43-44-45)","description":"\u003cp\u003eLes numéros 42 à 45 de la revue critique consacrée au graphisme.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003enº 42 — 12 ou 13 choses que je sais d'elle : F.R.DAVID, Victoire Le Bars et Benjamin Thorel\u003cbr\u003enº 43 — Un caractère : L'« écriture typographiée », Thierry Chancogne\u003cbr\u003enº 44 — Une énigme : la communication visuelle des neurosciences, James Langdon\u003cbr\u003enº 45 — Fabrique de la redondance (4 gabarits de mise en page), Stuart Bertolotti-Bailey\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIssues 42 to 45 of the critical review dedicated to graphic design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e#42 — 12 or 13 things I know about F.R.DAVID, Victoire Le Bars and Benjamin Thorel\u003cbr data-mce-fragment=\"1\"\u003e#43 — A typeface: \"Typographic writing\", Thierry Chancogne\u003cbr data-mce-fragment=\"1\"\u003e#44 — A conundrum: the visual communication of neuroscience, James Langdon\u003cbr data-mce-fragment=\"1\"\u003e#45 — Made Redundant (4 Templates), Stuart Bertolotti-Bailey\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFaire, 2023\u003c\/p\u003e\n\u003cp\u003e29 X 20 cm, 148 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":44385153057066,"sku":"","price":58.5,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/Faire-42-a-45.jpg?v=1678891875"},{"product_id":"irma-boom-book-manifest","title":"Irma Boom: Book manifest","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Book Manifest, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDutch designer Irma Boom presents her vision on the essence, meaning and relevance of the book. Based on the in-depth research that Boom conducted into the development of the book in the library of the Vatican. Book Manifest\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e at once a survey of the history of the book and a miniature Irma Boom retrospective, reproducing a selection of more than 350 books she has designed over the course of her eminent career. Alongside reproductions, Boom extensively discusses the relationship between her work and older book forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith this tiny (two and a half by three inches), slipcased, 1,000-page, richly illustrated volume, itself an exceptional feat of bookmaking, Boom aims to inspire and encourage a new generation of designers to experiment and develop new ways of conceiving this simplest and most enduringly effective of forms.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIrma Boom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWalther König Publishers, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e15.25 X 11.45 cm, 1000 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":44443698594090,"sku":"","price":61.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/Irma-Boom.jpg?v=1678893339"},{"product_id":"karel-martens-small-prints","title":"Karel Martens: Small prints","description":"\u003cp\u003eThis artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the contents of the book in three layers on a single print sheet, which was then cut and folded, variations in the cover emerged.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eKarel Martens\u003c\/p\u003e\n\u003cp\u003eRoma Publications, 2023\u003c\/p\u003e\n\u003cp\u003e24 X 17.5 cm, 48 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":45247209308458,"sku":"","price":52.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Karel-Martens.jpg?v=1687639328"},{"product_id":"umberto-riva-designer","title":"Umberto Riva, designer","description":"\u003cp data-mce-fragment=\"1\"\u003eUmberto Riva developed a personal approach to design, understood as a fundamental part of a broader research that connects painting and architecture, interiors and objects. Lamps, furniture, carpets and graphic design resonate with paintings, installations, buildings, public spaces and domestic interiors, reworking traditional and industrial materials. To retrace this complex artistic exploration, the volume presents Riva’s work in the field of design through sketches, drawings, photographs and other documents from the architect’s archive - many of them unpublished. The result is a mosaic of references, dialogues and artistic connections that give proof of his design experimentation, moved by a restlessness that results in geometric, chromatic and spatial exceptions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGabriele Neri\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLetteraventidue, 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e24 X 16.4 cm, 192 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":45272226365738,"sku":"","price":54.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/umberto-riva-designer.jpg?v=1687902129"},{"product_id":"la-syntaxe-de-limage-introduction-a-lalphabetisation-visuelle","title":"La Syntaxe de l'image : Introduction à l'alphabétisation visuelle","description":"\u003cp\u003eComment apprendre à lire les images ? Donis A. Dondis livre dans cet essai une approche précise et documentée des mécanismes à l’œuvre dans ce processus. Alors que la lecture d’une image semble relever du domaine de l’intuition, cette enseignante expérimentée démontre qu’il s’agit plutôt d’une méthode proche de l’apprentissage d’une langue, avec son alphabet, son lexique et sa syntaxe nécessitant un enseignement spécifique. Richement illustré, \u003cem\u003eLa Syntaxe de l’image\u003c\/em\u003e s’adresse à toute personne souhaitant analyser l’environnement visuel qui nous entoure et comprendre les formes qui le composent. Cette réflexion théorique est accompagnée de multiples exemples et références allant de la peinture à la sculpture en passant par l’architecture, le design graphique ou le cinéma ; autant d’applications qui permettent de comprendre le fonctionnement de nos aptitudes visuelles et de les mettre en oeuvre. Le texte est accompagné d’exercices pratiques permettant à chacun·e d’exercer son regard.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCet ouvrage traduit pour la première fois en français est devenu un ouvrage de référence dans les pays anglosaxons, mais également hispanophones, depuis sa publication dans les années 1970. Au même titre que Voir le voir de John Berger, \u003cem\u003eLa Syntaxe de l’image\u003c\/em\u003e aspire à devenir un classique de la littérature sur la communication visuelle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDonis A. Dondis\u003c\/p\u003e\n\u003cp\u003eÉditions B42, 2023\u003c\/p\u003e\n\u003cp\u003e22 X 13.7 cm, 214 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":46925801914666,"sku":"","price":46.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/1_3.jpg?v=1698528783"},{"product_id":"harvard-design-magazine-51","title":"Harvard Design Magazine 51","description":"\u003cp\u003eMultihyphenation refers to alternate modes of creative production: “collab” culture, “brand X brand” projects, and multiple or even opaque styles of attribution and ownership among individuals, studios, and practices. For them, the body of work they produce matters more than maintaining a singular creative identity as an individual designer, architect, artist, etc. But is this practice actually new? Architects, curators, fashion designers, scholars, and artists were invited to question the theme from different vantage points. A highlight of the issue is a visual folio featuring more than 40 multihyphenated works that exemplify complex strategies for navigating creative practice today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHarvard Design Magazine, 2023\u003c\/p\u003e\n\u003cp\u003e29.5 X 22.5 cm, 176 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":47384106795306,"sku":"","price":31.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Harvard51.jpg?v=1705777813"},{"product_id":"typobiographie-jost-hochuli-60-ans-de-travaux","title":"Typobiographie : Jost Hochuli, 60 ans de travaux","description":"\u003cem\u003eTypobiographie\u003c\/em\u003e revient sur l’ensemble de la longue et prolifique carrière du designer et typographe suisse \u003cspan data-mce-fragment=\"1\"\u003eJost Hochuli\u003c\/span\u003e. Rassemblant textes et un corpus d’images d’archives inédites, cette monographie visuelle entend générer des réflexions sur la question du design de livres et en particulier sur les inspirations et les personnalités qui jalonnèrent le parcours du designer. L’ouvrage développe en plusieurs parties thématiques les questionnements qui ont aiguillé sa pratique au cours de ses soixante années de carrière et notamment sa conception du design comme facteur essentiel à la bonne lisibilité d’un texte et à la transmision des savoirs. Cette publication témoigne de l’intérêt renouvelé qu’a rencontré son travail, notamment en tant qu’auteur, auprès des jeunes générations.","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Relié","offer_id":47384189370666,"sku":"","price":65.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/9782490077946.jpg?v=1705780722"},{"product_id":"karel-martens-calendar-2024-everyday-is-a-new-day","title":"Karel Martens Calendar 2024, Everyday is a new day","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA tear-off calendar for 2024 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKarel Martens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoma Publications, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 X 15 cm, 736 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":47438523564330,"sku":"","price":59.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Captured_ecran2024-01-27134837.jpg?v=1706381353"},{"product_id":"ronan-bouroullec-day-after-day","title":"Ronan Bouroullec: Day after day","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRonan Bouroullec works at the very forefront of design. Over his 30-year career he has used photography to document his process and communicate his unique perspective, amassing a vast archive of images in the process. He shares these images on Instagram, where he has a huge and loyal following. Thousands of images from the archive have been chronologically sequenced to illustrate his work and life in a fresh, new way. Part visual diary, part catalog of his work, and with captions in both English and French, ''Ronan Bouroullec: Day After Day'' presents these images to a wider readership and offers an intimate and fascinating look into his life, vision, and creative process, offering a vibrant insight into the work, perspective, and creative process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRonan Bouroullec\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhaidon Press, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e29.5 X 25.5 cm, 456 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Hardcover","offer_id":47438594048298,"sku":"","price":64.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/LV36635.jpg?v=1706381944"},{"product_id":"seeing-making-room-for-thought","title":"Seeing \u003c—\u003e Making: Room for thought","description":"\u003cp\u003ePhilosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeeing \u0026lt;―\u0026gt; Making: Room for Thought both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn both design and content, the book builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book The Medium Is the Massage, Walter Benjamin's Arcades Project and John Berger's Ways of Seeing. This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSusan Buck-Morss, Kevin McCaughey, Adam Michaels\u003c\/p\u003e\n\u003cp\u003eInventory press, 2024\u003c\/p\u003e\n\u003cp\u003e19.5 X 12 cm, 400 pages\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":47980671271210,"sku":"","price":41.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/seeing-making_24c5fde2-919d-4e39-87ce-0ad8bc234664.jpg?v=1716135266"},{"product_id":"museums-at-the-ecological-turn","title":"Museums at the ecological turn","description":"\u003cp\u003eA reflection on the relation between art, museum institutions and climate activism.\u003cbr\u003eIn recent years, the intersection between ecological thought and contemporary art has sparked a generative reflection encompassing sustainability, conservation, and survivability. Confronted with the climate catastrophe, ecology questions the feasibility of conserving collapsing ecosystems as well as our imperative of survival, alongside other humans, and non-humans, amidst the ruins of a world we have already irreversibly altered.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn November 2023, the second edition of the Museo Ventuno conference, Museums at the Ecological Turn, curated for AMACI by Caterina Riva together with NERO, brought together voices and perspectives from inside and outside of the art institutions to intercept and amplify the debate around these issues. Reflecting on the role of museums and how they must embrace new forms of responsibility and awareness, this book gathers contributions from curators, philosophers and activists, artists and writers. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContributions by Jamie Allinson, Lorenzo Balbi, Emanuele Braga, James Bridle, Cal Flyn, iLiana Fokianaki, Amal Khalaf, Jumana Manna, Stella Succi.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAMACI, NERO, 2024\u003c\/p\u003e\n\u003cp\u003e17 X 11 cm, 234 pages\u003c\/p\u003e\n\u003c!----\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English, Italian - Softcover","offer_id":48958023434538,"sku":"","price":36.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/museums-at-the-ecological.jpg?v=1721596150"},{"product_id":"strange-design","title":"Strange design","description":"\u003cp\u003eUne histoire du design critique, spéculatif et réflexif, en quatre moments, du design radical italien des années 1960 et 1970 à la scène contemporaine, en passant par le design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDepuis quelques années, des objets étranges ont fait leur apparition dans le monde du design, des objets dysfonctionnels, énigmatiques, compliqués, qui mettent en crise les catégories du projet, des objets, de la fonction au profit des processus, des explorations, des déviations. Ces objets relèvent d'une posture que les designers anglais Anthony Dunne et Fiona Raby ont défini \u003cem\u003eCritical Design\u003c\/em\u003e (design critique) : un design spéculatif, réflexif, qui ne veut pas proposer des solutions, mais plutôt poser des questions, qui veut défier les affirmations rapides, les préjugés et lieux communs sur le rôle des produits dans la vie de tous les jours. Un design qui ne se veut pas affirmatif, c'est-à-dire soumis aux impératifs des systèmes de pouvoir, mais au contraire \u003cem\u003ecritique\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÀ partir de ces quatre moments saillants que sont le design radical italien de la fin des années 1960 et 1970, le design conceptuel néerlandais des années 1990, le \u003c\/span\u003e\u003cem\u003ecritical design\u003c\/em\u003e\u003cspan\u003e anglais des années 2000 et enfin la scène contemporaine, notamment en France, cet ouvrage montre comment ce \u003c\/span\u003e\u003cem\u003estrange design\u003c\/em\u003e\u003cspan\u003e n'est pas tant un style qu'une posture critique qui ne cesse d'irriguer le champ du design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSous la direction de Jehanne Dautrey et Emanuele Quinz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContributions de Gijs Bakker, Pieke Bergmans, Jurgen Bey, Bless, Jan Boelen, Elio Caccavale, Florence Doléac, Anthony Dunne \u0026amp; Fiona Raby, Didier Fluza Faustino, Catherine Geel, Ugo La Pietra, Mathieu Lehanneur, Luca Marchetti, Alessandro Mendini, Gianni Pettena, Stijn Ruys, Noam Toran\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLes presses du réel, 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e19 X 12.5 cm, 384 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":49162431103274,"sku":"","price":47.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Strange.jpg?v=1724362821"},{"product_id":"commons-in-design","title":"Commons in design","description":"\u003cp\u003eThe scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods and knowledge.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCommons in Design explores the meaning and impact of commons—especially knowledge-based peer commons—and acts of commoning in design. It discusses networked, participatory, and open procedures based on the commons and commoning, testing models that negotiate the use of commons within design processes. In doing so, it critically engages with questions regarding designers’ positionings, everyday practices, self-understandings, ways of working, and approaches to education.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChristine Schranz\u003c\/p\u003e\n\u003cp\u003eValiz, 2024\u003c\/p\u003e\n\u003cp\u003e24 X 17 cm, 352 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":49425928683818,"sku":"","price":47.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/commons.jpg?v=1729134250"},{"product_id":"material-cultures-why-some-things-matter","title":"Material Reform: Building for a Post-Carbon Future","description":"\u003cp\u003eDesign and research practice Material Cultures brings together a series of short, incisive essays on the cultures, systems, and infrastructures that shape the architectural industry and the destructive ecologies it fosters. Texts centred around key topics including resources, maintenance, agriculture, land use, and value are interwoven with a visual essay capturing the impact of industrialisation on landscapes at different scales. The building practices dominating contemporary architecture are rooted in the exploitation of people and the degradation of our landscapes. Here, Paloma Gormley, Summer Islam, and George Massoud explore how this has come about and how alternative systems, with holistic approaches to the built environment, might be formulated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThrough text and visuals, concepts and practice, Material Reform explores how developing a direct relationship with materials can help us find new languages with the potential to supersede those we have inherited from a narrow lineage of authors. These discursive threads come together to form a vital sourcebook for rethinking our relationships to materials, land, and development, in all their crucial intersections. This new edition has been updated for 2024.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMaterial Cultures, Amica Dall,  Charlotte Malterre-Barthes\u003c\/p\u003e\n\u003cp\u003eMACK, 2024\u003c\/p\u003e\n\u003cp\u003e18 X 11 cm, 143 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English -Softcover","offer_id":49442661794090,"sku":"","price":32.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Material_9591b0a6-2220-4527-8787-aaa5753847cd.jpg?v=1739921123"},{"product_id":"no-magic-in-riso-3rd-reprint","title":"No Magic In Riso, 3rd reprint","description":"\u003cp\u003e\u003cspan\u003eIt took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book – a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is “Process”. The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is colour separation and experimentation with images. The studio does not claim the colour separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":49458922422570,"sku":"","price":86.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/9789869758802_o-oo-no-magic-in-riso-a-bilangual-risograph-tool-book-3rd-edition_800.jpg?v=1729726567"},{"product_id":"adolf-loos-why-a-man-should-be-well-dressed","title":"Adolf Loos: Why a man should be well-dressed","description":"\u003cp\u003e\u003cspan\u003eThroughout his life Adolf Loos raised his eloquent voice against the squandering of fine materials, frivolous ornamentation and unnecessary embellishments. His admirers consider him to be the inspiration for all modern architecture. Yet, few are acquainted with his amusing, incisive, critical and philosophical literary work reflecting on applied design and the essence of clothing in fin de siècle Vienna. Adolf Loos often had a radical, yet innovative outlook on life that made him such a nuisance for many of his contemporaries. His provocative musings on many subjects portray him as a man of varied interests and intellectual refinement as well as possessing a keen sense of style, which still has value today. For the first time the ‘Loos Dress Code’ is available in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncluded is a short social\/historical look as the birth of Modernism in Adolf Loos’ Vienna.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdolf Loos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMetroverlag, 2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e19 x 12.5 cm, 128 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Hardcover","offer_id":49907146850602,"sku":"","price":36.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Adolf.jpg?v=1738435630"},{"product_id":"e-flux-index-4","title":"E-flux index #4","description":"\u003cdiv\u003e\u003cspan\u003eThe fourth issue of e-flux Index.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe e-flux Index carries on its cover a labyrinth, composed from many winding textual paths, nooks, and crannies. Magazines and labyrinths share a certain nonlinearity. This publication’s ambition is in part to help orient readers through the breadth of two months of e-flux’s broad commissioning across arts, architecture, criticism, philosophy, film, and a whole cosmos of other topics, and to thereby give structure and coherence to the multi-tabbed browsers of an often-cluttered digital publishing landscape. But like any good labyrinth it also remains attuned to the project of radical disorientation. The resultant Index is situated somewhere between a travel guide to the contemporary moment and the Situationist “counter-maps” produced by Guy Debord, Michèle Bernstein, Jacqueline de long, and Asger Jorn for their experimental dérives through the city and the archive.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ee-flux Index, 2024\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25.5 X 20 cm, 457 pages\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Hardcover","offer_id":49957060804906,"sku":"","price":65.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/eflux-4_74e748a2-5221-4032-85d3-9fca243e6ec7.jpg?v=1742330718"},{"product_id":"living-design-the-writings-of-clara-porset","title":"Living design: The writings of Clara Porset","description":"\u003cp\u003e\u003cspan\u003eCuban-born and Mexico-based\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eClara Porset\u003cspan\u003e is renowned for her mid-century modern furniture and interior design and for her collaborations with architects such as Luis Barragán and Mario Pani. She was also an accomplished critic and writer. \u003c\/span\u003e\u003ci\u003eLiving Design\u003c\/i\u003e\u003cspan\u003e collects Porset’s essays, reviews, and lectures to highlight her role as an influential thinker, educator, and practitioner. This volume insightfully contextualizes the politics that shaped Porset’s design principles, charts the influence of the Bauhaus and Black Mountain College on her work, and reveals the period’s fusion of local adaptations and modernist principles that made Mexico a major centre of modernist design. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt a time when many practitioners believed that design could only be modernized by replacing hand craftsmanship with mechanization, Porset valued both approaches for their distinctive qualities and urged others to do the same. Through her writings, she encouraged efforts to catalyze local design communities during a period of rapid technological and social change. With essays by historian Randal Sheppard and design curator and scholar Ana Elena Mallet, an introduction by volume editors Zoë Ryan and Valentina Sarmiento Cruz, and explanatory notes on the people and publishing forums in Porset’s circle, Living Design makes available works never before published in English, and with only limited circulation in the Spanish language, in order to recover an important and neglected voice in global modernism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by\u003cstrong\u003e \u003c\/strong\u003eZoë Ryan and Valentina Sarmiento Cruz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConcordia University Press, 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e20.3 X 15.2 cm, 362 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50021263900970,"sku":"","price":39.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Porset.jpg?v=1742060880"},{"product_id":"les-abstractions-concretes-danni-albers-1899-1994-une-histoire-textile-de-la-modernite","title":"Les abstractions concrètes d'Anni Albers (1899-1994) : Une histoire textile de la modernité","description":"\u003cp\u003eNée à Berlin en 1899, Anni Albers, artiste, designer et éducatrice, s'est rapidement heurtée aux préjugés de genre qui régnaient dans l'Allemagne des années 1920. Pourtant, elle sut tirer parti de toutes les contraintes pour en faire une force au service de la construction d'un art qu'elle rêvait intemporel. Entre deux continents et deux modernités, du Bauhaus, en Allemagne, au Black Mountain College aux États-Unis, elle a révolutionné l'art du tissage et redéfini les frontières entre l'art et le design. Encore liées, au début du XXe siècle au travail des femmes et à ce qu'on pourrait nommer une « sensibilité féminine », artisanat domestique, art d'ameublement, d'ornement et de surface, les pratiques de tissage reposent sur des systèmes de règles et de codes. Anni Albers invente un langage tactile-textile, abstrait, fonctionnel et sensuel, échappant aux classifications traditionnelles.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCette première monographie d'ampleur consacrée à l'œuvre textile d'Anni Albers apporte un point de vue nouveau sur une histoire de l'art moderne au prisme des créations et pratiques textiles. Pourquoi s'intéresser aujourd'hui à cette histoire moderne des formes textiles ? Précisément parce qu'à une époque de profondes transformations culturelles elles offrent une multiplicité de bifurcations possibles et de chemins historiques non empruntés. À la fois portrait détaillé d'une artiste majeure du XXe siècle et essai dense et charpenté, ce livre constitue une porte d'entrée essentielle pour quiconque souhaite explorer l'univers fascinant d'Anni Albers, sa contribution à l'art et au design moderne, et la richesse de son héritage artistique.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIda Soulard\u003c\/p\u003e\n\u003cp\u003eLes presses du réel, 2024\u003c\/p\u003e\n\u003cp\u003e24 X 17 cm, 306 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":50021269143850,"sku":"","price":54.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Albers.jpg?v=1742055759"},{"product_id":"a-dictionary-of-color-combinations","title":"A dictionary of color combinations","description":"\u003cp\u003e\u003cspan\u003eSanzo Wada (1883-1967) was an artist, teacher, costume and kimono designer during a turbulent time in avant-garde Japanese art and cinema. Wada was ahead of his time in developing traditional and Western influenced colour combinations, helping to lay the foundations for contemporary colour research. Based on his original 6-volume work from the 1930s, this book offers 348 color combinations, as attractive and sensuous as the book’s own design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSanzo Wado\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeigensha, 2010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e15 X 10.5cm, 354 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50090046062890,"sku":"","price":35.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Dictionnary.jpg?v=1766252618"},{"product_id":"glossary-of-undisciplined-design","title":"Glossary of undisciplined design","description":"\u003cp\u003eD for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs – the \u003cem\u003eGlossary of Undisciplined Design\u003c\/em\u003e looks into undisciplinarity as a feminist unpacking of the field of graphic design, of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, the GUD handbook combines a multitude of theories and narratives of varying densities – from visual essay, hands-on experiment, interview or advertorial, to poem, speculative tale and academic writing. With around 55 contributions by 20 international designers, activists, educators and theorists, this publication explores role models, tools and dissent.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Anja Kaiser and Rebecca Stephany\u003c\/p\u003e\n\u003cp\u003eContributions by Clara Balaguer, Sheila Levrant de Bretteville, Ece Canlı, Hackers \u0026amp; Designers, Markus Dreßen, Sara Kaaman, Anja Kaiser, Jungmyung Lee, Vincent Schier, Rebecca Stephany, Franciska Zólyom, Studierende der Staatlichen Hochschule für Gestaltung Karlsruhe, and others\u003c\/p\u003e\n\u003cp\u003eSpector Books, 2024\u003c\/p\u003e\n\u003cp\u003e17.5 x 11 cm, 312 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50215423607082,"sku":"","price":40.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Glossary.jpg?v=1748451524"},{"product_id":"curatorial-design-a-place-between","title":"Curatorial design: A place between","description":"\u003cp\u003eThe future of architecture lies in a curatorial approach, as argued by Wilfried Kuehn and Dubravka Sekulić in \u003cem\u003eCuratorial Design: A Place Between\u003c\/em\u003e. The book features insights from over 30 experts in architecture, art, and curatorial practice. Architectural design and curating resist specialization, fostering diverse knowledge. This challenges the increasing division of labor and promotes relational thinking. Together, they create a new practice that shapes rather than mediates. The book, aimed at architects, designers, and curators, includes three photo series by Armin Linke, covering topics like public architecture, reconstruction, and shared spaces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWilfried Kuehn and Dubravka Sekulić\u003c\/p\u003e\n\u003cp\u003eLenz Press, 2025\u003c\/p\u003e\n\u003cp\u003e29 X 20 cm, 440 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50238165123370,"sku":"","price":70.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Curatorial-Design.jpg?v=1748450964"},{"product_id":"du-gouvernement-des-formes-essai-sur-larchitecture-et-le-design","title":"Du gouvernement des formes : Essai sur l'architecture et le design","description":"\u003cp\u003e\u003cspan\u003eL'architecture et le design partagent un même souci des formes, tous deux les considérant moins pour ce qu'elles sont que pour ce qu'elles peuvent, pour ce qu'elles engagent et ouvrent comme possibilités. N'aspirant pas à avoir empire sur elles, ils assumeraient, l'un et l'autre à leur manière, de gouverner les formes, au sens d'un ménagement (\u003c\/span\u003e\u003cem\u003edas Schonen\u003c\/em\u003e\u003cspan\u003e), pour que dérivent d'elles tant l'apparence que l'utilité de bâtiments, d'objets nouveaux entre autres choses. Au sein de cet essai, David Bihanic s'attelle à clarifier la contribution commune de l'architecture et du design au dessein des formes, précisant en quoi celle-ci s'avèrerait tout entière retenue à un \u003c\/span\u003e\u003cem\u003eaccomplissement\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDavid Bihanic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLes presses du réel, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24 X 11 cm, 296 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":50341564776746,"sku":"","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Gouvernement.jpg?v=1751037660"},{"product_id":"designing-history-documents-and-the-design-of-imperative-to-immutability","title":"Designing history: Documents and the design of imperative to immutability","description":"\u003cp\u003eOn graphic design's complicity in power and what can be done to transform the field.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMoving beyond the usual forms endemic to the graphic design canon, Designing History studies bureaucratic instruments such as money, passports, certificates, property deeds and more. Such documents produce identity, assign ownership and ascribe value. They stabilize claims, memory and knowledge that would otherwise be vulnerable to contestation or obliteration. Despite their apparent banality, such documents are perhaps graphic design’s most profoundly consequential forms. This book is the revised edition of Immutable: Designing History (2022). It includes an extended essay that contextualizes the project as one concerned primarily with prompting a remapping of graphic design’s historical and practical assumptions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChris Lee\u003c\/p\u003e\n\u003cp\u003eSet Margins, 2025\u003c\/p\u003e\n\u003cp\u003e19.5 X 13 cm, 126 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50440575746346,"sku":null,"price":37.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/designing-history.jpg?v=1753731017"},{"product_id":"karel-martens-unbound","title":"Karel Martens: Unbound","description":"\u003cp\u003e\u003cspan\u003eUnbound accompanies Karel Martens’ first solo exhibition at the Stedelijk Museum Amsterdam, bringing together a wide-ranging body of work Karel made and collected over the entire span of his decades long career. Containing works from the show, collaged, overprinted and juxtaposed with elements found around his studio, the book balances between being an artist book and a catalog. “This publication, thoughtfully designed by Jordi de Vetten and Susu Lee in close collaboration with Martens himself, functions as a handbook to his work. But it’s an unconventional one: unstructured, non-hierarchical, playful, personal, and associative.” With texts by Thomas Castro, curator of the exhibition and Rein Wolfs, director of the Stedelijk Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKarel Martens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoma Publications, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24 X 17 cm, 216 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50477595001130,"sku":null,"price":78.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/martens-unbound.jpg?v=1754859364"},{"product_id":"charlotte-perriand","title":"Charlotte Perriand","description":null,"brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":50678836101418,"sku":null,"price":16.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/9782073095435-475x500-1.webp?v=1760203093"},{"product_id":"bauhaus-clouds-challenges-to-the-nebula-of-architectural-histories-and-archives","title":"Bauhaus Clouds. Challenges to the Nebula of Architectural Histories and Archives","description":"\u003cp\u003eThe Bauhaus as we know it did not exist. It is actually a complex of clichés, unilateral interpretations, ideological appropriations, misunderstandings, tendentious receptions, and historical narratives. Not surprisingly, it was celebrated as the most important art school of modernity’s heroic age, while simultaneously documenting quite the opposite: the degeneration of art and architecture in the age of capitalism.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBauhaus Clouds takes such approaches as a point of departure for action. On the one hand, it addresses the constructs of new narratives that place architectural archives at the center of the Bauhaus debates. It begins with the understanding that archives and architectural collections are neither crystallized nor neutral statements. On the other hand, it investigates the degree to which architectural narratives and measures affecting the idea of the Bauhaus have influenced social constructs of past experiences in the current process of architectural culture, as well as society’s relationship with building culture at large.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOliver Elser, Daniela Ortiz dos Santos and Carsten Ruhl \u003c\/p\u003e\n\u003cp\u003eM Books, 2025\u003c\/p\u003e\n\u003cp\u003e30 X 19.5 cm, 92 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":50909797318954,"sku":null,"price":32.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/Bauhaus-clouds.jpg?v=1764801490"},{"product_id":"gerard-ifert-antiheros-du-design","title":"Gérard Ifert : Antihéros du désign","description":"\u003cdiv class=\"displayDescription\"\u003e\n\u003cp\u003eAu cours de sa carrière aussi discrète qu’exceptionnelle, Gérard Ifert fut à la fois graphiste, scénographe, concepteur de mobilier et photographe : designer, en somme. Encouragé en cela par sa formation à l’école des Arts et Métiers de Bâle à la fin des années 1940, puis par son intégration dans l’équipe pluridisciplinaire des expositions du Plan Marshall à Paris au début des années 1950, il défend sa vie durant un exercice à la fois multiforme et collaboratif de son métier. Si l’on considère les nombreuses occurrences de publications et d’expositions de son travail au cours de sa carrière, on peut s’étonner que l’addition de ces marques d’intérêt n’ait finalement pas permis à Gérard Ifert d’accéder à une reconnaissance égale à celle d’autres designers de sa génération.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCet ouvrage monographique propose quelques clés pour comprendre la trajectoire de ce Suisse de Paris. En quatre chapitres, il explore différentes facettes de son activité, souligne la transversalité qui les unit, et interroge une pratique singulière du design, propre au contexte de la seconde moitié du XXe siècle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatherine de Smet, dir.\u003c\/p\u003e\n\u003cp\u003eÉditions B42, 2025\u003c\/p\u003e\n\u003cp\u003e25 X 19.5 cm, 152 pages\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français \/ Anglais - Broché","offer_id":50916309434666,"sku":null,"price":54.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/gerard.jpg?v=1764890396"},{"product_id":"25-facons-de-planter-un-clou","title":"25 façons de planter un clou","description":"\u003cp\u003e\u003cspan\u003eUn récit autobiographique et une méditation sans compromis sur le sens du design, par la voix de celui qui a incarné la conscience éthique et politique de la discipline dans la seconde moitié du XXe siècle. Tout geste de design est un projet qui contribue à redessiner le monde : telle était la vision de Mari, qui n'a en rien perdu de sa dérangeante actualité.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEnzo Mari\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLes presses du réel, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e19 x 12.5 cm, 262 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":51382540665130,"sku":null,"price":36.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/25facons.jpg?v=1782053830"},{"product_id":"abecedaire-de-la-beaute","title":"Abécédaire de la beauté","description":"\u003cp\u003eQu’est-il advenu de la beauté ? Du charme dissimulé dans le quotidien au régime esthétique atypique de l’imagerie scientifique, de sa capacité inouïe à penser le vivant jusqu’à ses innombrables applications littéraires, philosophiques, techniques, historiques et artistiques, la beauté se révèle être un terrain intellectuel particulièrement fécond.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCet abécédaire croise les axes de réflexion autour d’une notion aussi galvaudée qu’insaisissable, mais qui, selon les quarante-trois contributions réunies ici, demeure au centre de nos préoccupations les plus actuelles et les plus vives. Mêlant à la fois une réflexion sur les termes attendus (Grèce, Style, Sublime, Vénus) et d’autres beaucoup plus insolites (Déchets, Robot, Chaos, Pieuvre), la beauté est présente comme un cadre structurant nos pensées mais également comme une lézarde, diffuse et souterraine, dans les interstices de toutes nos modalités d’existence.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eClélia Zernik et Justin Jaricot\u003c\/p\u003e\n\u003cp\u003eÉditions B42, 2022\u003c\/p\u003e\n\u003cp\u003e24 X 15.6 cm, 248 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Hardcover, French","offer_id":51382558556458,"sku":null,"price":48.95,"currency_code":"CAD","in_stock":false}]},{"product_id":"choses-lues-choses-entendues-a-lusage-de-celles-et-ceux-qui-produisent-et-regardent-encore-des","title":"Choses lues, choses entendues, à l'usage de celles et ceux qui produisent et regardent (encore) des affiches","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eCe petit livre a pour point de départ la question « Qu'est-ce qu'une bonne affiche ? » et s'en détourne au fur et à mesure qu'il se déploie, confronté à la complexité de cette interrogation, qui porte à la fois sur la vérité, la justesse, la fonctionnalité ou encore le bon goût d'une production graphique.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eLe texte résulte d'un travail d'entretiens menés au Signe par Léo Carbonnet et Léonore Conte durant une résidence de deux mois ; il peut être lu autant comme une longue phrase, un dialogue ou une liste plus silencieuse de principes. En octobre 2025, il a été enrichi d'une documentation visuelle extraite du fonds d'affiches du Signe, sélectionnée et disposée sous forme d'inserts par les étudiantes du DSAA design graphique et médiation du lycée Charles-de-Gaulle de Chaumont à l'occasion d'un workshop.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eLe Signe, 2025\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e16 X 11 cm, 104 pages\u003c\/div\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Paperback, French Edition","offer_id":51382658072874,"sku":null,"price":25.95,"currency_code":"CAD","in_stock":false}]},{"product_id":"faire-regarder-le-graphisme-n-54-le-directeur-le-graphiste-et-limprimeur-pontus-hulten-et-l","title":"Faire – Regarder le graphisme n° 54 : Le directeur, le graphiste et l'imprimeur : Pontus Hultén et l","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eCentré sur la figure emblématique de Pontus Hultén, ce numéro s'intéresse à la production éditoriale du directeur lors de son mandat au Moderna Museet de Stockholm, de 1960 à 1973. Directeur et fondateur de multiples institutions, dont le Moderna Museet et le Centre Pompidou, Pontus Hultén a édité des livres tout au long de sa carrière. Dès les années 60, alors qu'il devient directeur du premier musée d'art moderne de Suède, il s'empare pleinement de la question du catalogue d'exposition, allant jusqu'à s'investir dans sa mise en forme.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eMalou Messien\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eFaire, 2026\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e30 X 21.5 cm, 64 pages\u003c\/div\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":51388750561578,"sku":null,"price":26.95,"currency_code":"CAD","in_stock":false}]},{"product_id":"dieu-cie","title":"Dieu \u0026 cie : François Dallegret, art fiction, art friction","description":"\u003cp\u003eCette monographie - la première en français - restitue, sur cinq décennies, le travail de François Dallegret, créateur prolifique et inclassable, aux confins des arts visuels, de la performance, de l'architecture radicale, du design graphique et industriel. Formé à l'architecture à l'École des beaux-arts, il se passionne très tôt pour le design automobile, la technologie, l'art et les médias. De Paris à New York puis à Montréal, sa trajectoire croise divers champs de la création où il noue des relations fécondes avec notamment Paco Rabanne, Iris Clert, Reyner Banham ou Harry Shunk et János Kender. À la fois sérieux et ironiques, ses dessins empruntent les codes graphiques les plus rigoureux de la représentation architecturale pour mieux les détourner et les mettre au service d'une libération tant de l'espace que du corps, tout en proposant une critique caustique des modes d'habiter contemporains.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAu sein de son atelier GOD \u0026amp; CO - à la fois contraction de « Go Dallegret » et traduction de « Dieu \u0026amp; Cie », le nom d'un savon au miel qu'il érige en ready-made - il invente toutes sortes d'objets, de machines ou d'environnements où la technologie est poussée à ses extrémités les plus cybernétiques pour équiper l'hédoniste contemporain. Mais cet univers alternatif - qu'il nomme Art Fiction - n'est pas seulement fictionnel. À l'occasion de commandes d'espaces publics, d'équipements commerciaux et récréatifs, l'oeuvre de François Dallegret n'a cessé d'infuser notre réalité concrète, autant pour la divertir que pour la subvertir.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePour plus d'informations, consulter le site de François Dallegret, www.arteria.ca\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlessandra Ponte, Laurent Stalder, Thomas Weaver\u003c\/p\u003e\n\u003cp\u003eÉditions de la Villette, 2025\u003c\/p\u003e\n\u003cp\u003e24 X 18cm, 453 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":51597446742314,"sku":null,"price":66.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/dieu.jpg?v=1779905666"},{"product_id":"muller-van-severen-a-lot-of-work","title":"Muller Van Severen: A lot of work","description":"\u003cp class=\"MsoNormal\"\u003eA Lot of Work is a new monograph dedicated to the work of the restlessly inventive Belgian design studio Muller Van Severen. Shaped by 15 years of seminal practice, it is the first to present Fien Muller and Hannes Van Severen both together and as individual artists, charting the energies of their solo trajectories alongside their shared design language. Approaching the monograph as a collage, the book traces what has unfolded over the past decade and a half, what preceded it, and what may yet come—shaped, as the title suggests, by a lot of work. Raw and ruminative in structure, it draws from their private and public archives to allow ‘images to speak through adjacency rather than explanation’, as Hannes explains in his opening text. The result ‘feels less like a retrospective and more like a pause’, he writes—‘A breath’.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEdited by Nicolás Barreto and Nacho Alegre, co-founder of Apartamento, the book sits somewhere between an art book and something else entirely—an elusive object poised between visual storytelling and asynchronous narrative. A 224-page invitation to witness an oeuvre of design sensibility and all the work behind it, A Lot of Work allows meaning to arise through proximity and contrast, offering a glimpse into how the pair find permission to cut, question, rearrange, and gently unsettle the objects that surround them.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eNicolás Barreto, Nacho Alegre\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eApartamento, 2026\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21 X 29 cm, 224 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Hardcover","offer_id":51597452149034,"sku":null,"price":87.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/muller.jpg?v=1779906883"},{"product_id":"brick-bonds","title":"Brick Bonds","description":"\u003cp\u003e\u003cspan\u003eBrick Bonds is a book documenting over 50 bond patterns used in brick-laying, including the basic wall bond patterns as well as paving patterns and more elaborate diaper patterns and other decorative techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe are surrounded by bricks, but seldom dwell on the patterns used to build them into walls and structures. The diverse range of bonds exist for different reasons – the traditional bonds, such as English Bond and Flemish Bond are used for their structural strength. Some bonds exist for their economy, speed of laying or ability to form a cavity wall, such as Stretcher Bond. Others, like Gothic Bond and Chevron Monk Bond were developed to create a more decorative and complex appearance. The most elaborate are the diaper patterns where different coloured bricks can be used to express beautiful diamond, heart or zigzag motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bond names have an unexpected poetry, in contrast with their practical and down to earth use. Many of the names derive from the names given to the various parts of the brick’s anatomy – the long side of the brick is known as the stretcher, the short edge as the header. Terms such as staggered, raked and stacked refer to different ways of overlapping the courses to provide strength.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book is 96 pages long, printed on Munken Lynx Rough paper and the cover is Cairn Eco, foil-blocked in gloss red. It is swiss-bound, allowing flat opening fo easy reference, with the section-sewn binding exposed when the book is opened. The book is the size of a standard brick.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMelissa Price, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e21.5 X 11 cm, 96 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":51810658681130,"sku":null,"price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/brick.jpg?v=1782107953"},{"product_id":"jasper-morrison-the-unimportance-of-form","title":"Jasper Morrison: The unimportance of form","description":"\u003cp\u003eThe Unimportance of Form and Other Arguments gathers the early writings of British designer Jasper Morrison, written between 1984 and 2002 and collected and edited by industrial designer Sina Sohrab. Published together here for the first time, these texts map the formation of ideas that would come to define his practice: the responsibilities of design, the value of usefulness, and the quiet authority of ordinary things. From autobiographical manifestos and his 1985 RCA thesis to later essays, musings, and even notes for an unfinished novel, this compendium of 31 texts captures the honing of a lifelong argument about what design is—and what it should be. Taking its title from his 1991 essay The Unimportance of Form, one of his most searching critiques of the designer’s role, the book offers rare access to the early thinking of one of design’s most influential figures, from ideas behind objects not yet iconic to reflections on his expanding relationship with the industry. Celebrated for objects that feel as though they were always meant to exist, Jasper is also a sharp, sceptical, and often humorous writer. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJasper Morrison\u003c\/p\u003e\n\u003cp\u003eApartamento, 2026\u003c\/p\u003e\n\u003cp\u003e21 X 14 cm, 184 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"English - Softcover","offer_id":51810664382762,"sku":null,"price":49.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/files\/jasper-morrison.jpg?v=1782053528"}],"url":"https:\/\/cca-bookstore.com\/en-fr\/collections\/design.oembed?page=2","provider":"Canadian Centre for Architecture","version":"1.0","type":"link"}