{"title":"Architecture","description":"","products":[{"product_id":"open-architecture","title":"Open architecture","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa collection\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eOpen-A\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003ea pour ambition majeure d'explorer le potentiel de réinterprétation lié à l'histoire et à la théorie en architecture. En d'autres termes,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eOpen-A\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003evise à parcourir les récits des époques antérieures, de construire de nouvelles associations, de faire émerger de nouveaux concepts, par le biais d'une relecture du passé en vue d'une description de l'État. présent de l'architecture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLe premier tome de la collection, réalisé par Xavier Van Rooyen et intitulé « Open architecture », débute par la traduction d'une interview de Go Hasegawa, Kersten Geers et David Van Severen. Il est en outre né à partir d'un cycle de conférences (2017 – 2019) qui a regroupé des interventions de Jacques Lucan, Dominique Rouillard, Roberto Gargiani, Catherine Blain, Dirk van den Heuvel et Véronique Patteeuw. Ces conférences s'étaient ancrées dans la période des années 1960 marquée par la transition du modernisme au postmodernisme, une époque optimiste, politiquement engagée, florissante en imaginaires et en récits visuels, radicale dans sa pensée et dans la révolution qu'elle prônait.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eSous la direction de Xavier Van Rooyen\u003c\/p\u003e\n\u003cp\u003eGAR, 2020\u003c\/p\u003e\n\u003cp\u003e21 x 13,5 cm, 256 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":39301360123985,"sku":"","price":64.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/open-architecture.jpg?v=1633642668"},{"product_id":"big-formgiving","title":"BIG, Formgiving","description":"\u003cp\u003eWith\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eFormgiving\u003c\/em\u003e, BIG presents the third part of its trilogy, which began with\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eYes is More\u003c\/em\u003e, and continued with\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eHot to Cold\u003c\/em\u003e. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution- 'Making,' 'Sensing,' 'Sustaining,' 'Thinking,' 'Healing,' and 'Moving'- the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements- the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind- are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen’s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eFlorian Kobler\u003c\/p\u003e\n\u003cp\u003eTaschen, 2020\u003c\/p\u003e\n\u003cp\u003e25 x 16 cm, 736 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Anglais - Broché","offer_id":39313421402193,"sku":"","price":66.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/formgiving.jpg?v=1617803316"},{"product_id":"empavillonner","title":"Empavillonner","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eOuvrage collectif consacré à l'analyse des pavillons d'exposition\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(expositions universelles, biennales) du point de vue de leur\u003cspan\u003e\u0026nbsp;\u003c\/span\u003earchitecture, croisant les contributions de\u003cspan\u003e\u0026nbsp;\u003c\/span\u003ecréateurs\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eet architectes, d'historiens, de philosophes et esthéticiens.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cdiv class=\"citation\"\u003eQu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte Jean-Paul Viguier à l'occasion de l'Exposition Universelle de Séville (1992), de celui des Pays-Bas signé de l'agence MVRDV dans le cadre de l'Exposition Universelle d'Hanovre (2000) ou encore, avant eux, des pavillons présentés comme « manifestes de la modernité », tels que ceux de Richard Buckminster Fuller (Pavillon États-Unis, île Sainte-Hélène, Montréal, 1967), de\u003cspan\u003e\u0026nbsp;\u003c\/span\u003ele Corbusier\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(Pavillon Philips, Bruxelles, 1958) de Robert Mallet-Stevens et des frères Martel (Pavillon du tourisme, Paris, 1925), tous sembleraient procéder d'une même intention (ou prétention) : celle de définir les voies et préceptes d'une\u003cspan\u003e\u0026nbsp;\u003c\/span\u003earchitecture\u003cspan\u003e\u0026nbsp;\u003c\/span\u003erésolution nouvelle laquelle, contestant ou refusant parfois ce qui a cours, préfigure et marque de quoi serait faite l'époque à-venir.\u003c\/div\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDavid Bihanic, Bernard Gabillon, Olivier Koettlitz, Jocelyn Le Creurer, Aurélien Maillard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTextes de Jean-Christophe Arcos, David Bihanic, Pierre Bourdareau, Claire Brunet, Jérémie Elalouf, Bernard Gabillon, Catherine Geel, Pierre-Damien Huyghe, Richard Klein, Olivier Koettlitz, Jocelyn Le Creurer, Salvator-John Liotta, Pierre Litzler, Philippe Louguet , Fabienne Louyot, Aurélien Maillard, Philippe Rahm, Philippe Rizzotti, Didier Vivien.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eAthom, 2021\u003c\/p\u003e\n\u003cp\u003e18 x 11 cm, 412 pages\u003c\/p\u003e","brand":"Canadian Centre for Architecture","offers":[{"title":"Français - Broché","offer_id":39313424711761,"sku":"","price":39.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/7112\/7633\/products\/LV30973_Empavillonner.jpg?v=1617840787"},{"product_id":"les-variations-de-lidentite-le-type-en-architecture","title":"Les variations de l'identité : le type en architecture ","description":"\u003cdiv class=\"accroche\" itemprop=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePremière traduction française de l'essai fondateur de l'architecte espagnol sur le type en architecture. 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The collected essays in this book implicate architecture in the more longstanding and pervasive legacies of racialized coercion in the United States--and follow the premise that to understand how the prison enacts its violence in the present one must shift the epistemological frame elsewhere: to places, discourses, and narratives assumed to be outside of the sphere of incarceration.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePaths to Prison: On the Architectures of Carcerality\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eoffers not a fixed or inexorable account of how things are but rather a set of starting points and methodologies for reevaluating the architecture of carceral society and for undoing it altogether.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eWith contributions by Adrienne Brown, Stephen Dillon, Jarrett M. 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Si la remarquable carte de flux qu’il a créée pour représenter la campagne de Napoléon en Russie est considérée comme l’une des plus extraordinaires visualisations de données jamais produites, son oeuvre, autrement plus étendue, demeure méconnue.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eMinard a produit un ensemble de représentations statistiques dont l’influence est aujourd’hui encore sensible dans le champ des représentations graphiques et visuelles de données. Le Système Minard met en lumière les processus mis en oeuvre dans leur invention. 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